The director’s thirteenth feature proves that his budget-first approach to making movies has reached its limit
This refreshing look at sub/dom relations from newcomer Harry Lighton is a gem, even if it could afford to dig deeper
HBO’s hypnotic new miniseries is a masterful exploration of two men in search of a new masculinity
Though Oliver Hermanus’ love letter to early record making has its moments, it isn’t half the film it could have been
It’s not that Emerald Fennell has tried and failed to adapt Brontë’s novel. It’s that in today’s cultural climate, she didn’t have to try
David Szalay’s first novel and 2025 Booker Prize Winner has all the makings of a sharp and unflinching examination of male alienation and immigrant life. So why was I left cold?
Lukas Dhont’s 2022 Grand Prix winner grows ever more relevant with each year — and is, despite its tough subject matter, utterly life-affirming
Though Jacob Elordi is magnificent as Shelley’s foe, Del Toro’s avoidance of grappling with modern technological ills is felt
Bigelow’s Netflix white-knuckle thriller mines our worst fears in an immersive epic that succumbs to melodrama
Veering from the psycho-gothic claustrophobia that made his name, Aronofsky shakes things up with a confused, balls-to-the-wall caper
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